🎵 MaGeSY® R-EVOLUTiON™⭐ ⚡(FAST EDiTiON)⚡

  • M-Audio Key Rig v1.1.0.4v6 VSTi STANDALONE WiN-R2R
    January 16th, 2021

    M-Audio Key Rig v1.1.0.4v6 VSTi STANDALONE WiN-R2R

    Key Rig v1.1.0.4v6 WiN

    TEAM R2R/DYNAMiCS | 22.08.2013 | 655.79 MB

    M-Audio’s Drum & Bass Rig delivers a wide variety of bass and drum sounds in a single virtual rack. Drum & Bass Rig incorporates four great magesy torrent sounding modules that can be used in stand-alone or plug-in mode. The RD-5 Real Drums module serves up tons of sampled drum kits and percussion. The EB-6 Electric Bass delivers authentic bass fingering, picking, slapping and more. The LC-7 Loop Creator allows easy and flexible creation and playback of sampled loops. And the BL-8 Bassline is ideal for creating electronic music bass lines. The master MIDI/Mixer section lets you route, split, layer and mix these four powerful modules in whatever way best suits your performance and recording needs. A master effects section even allows for adding a common effect in addition to the individual effect section included with each instrument.



    Viewed 44215 By Music Producers.


    • IIEQ Pro v3.5.4 WiN-R2R
      January 15th, 2021
      Categories: WiNDOWS, VST, AAX, x64, x86, DDMF

      IIEQ Pro v3.5.4 WiN-R2R

      IIEQ Pro v3.5.4 WiN

      Team R2R | May 19 2020 | 4.8 MB

      PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

      IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.



      Viewed 29402 By Music Producers.


      • PatchWork v2.43 WiN MAC-R2R
        January 15th, 2021

        PatchWork v2.43 WiN MAC-R2R

        PatchWork v2.43 WiN MAC

        Team R2R | 15 Jan 2021 | WiN: 36.8 MB | OSX: 355.4 MB

        WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

        “The virtual patchbay for audio plug-ins”

        PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.



        Viewed 40769 By Music Producers.


        • RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R
          January 15th, 2021

          RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R

          RealRick v4.0.5.7471 WiN

          Team R2R | 15 Jan 2021 | 514.3MB

          PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX

          In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from magesy download Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.



          Viewed 3953 By Music Producers.


          • Flatline: Mastering Maximizer v1.0.1 WiN-R2R
            January 15th, 2021
            Categories: AAX, VST3, WiNDOWS, x64

            Flatline Mastering Maximizer v1.0.1 WiN-R2R

            Flatline v1.0.1 WiN

            Team R2R | 15 Jan 2021 | 2.8MB

            PLATFORM: WiN64 – VST3/AAX(MODiFiED)

            Dominate your master

            Flatline is the last clipper you’ll ever need – bringing you the sound of pushing premium, world-class converters at a fraction of the cost. Designed with ultimate workflow in mind, it turns your mix into a world-class stream, CD or radio-ready master in a matter of seconds. Using industry-leading code, it offloads processing onto the GPU – leaving you with power to spare where it matters most (the mix!). Instead of overwhelming you with options, Flatline instead focuses and hones in on the “secret weapon” technique of high-end mastering houses since the 2000s: The sound of clipping top-tier digital converters. This is the sound you grew up with, and it’s finally within your reach. Developed in concert with professional mastering engineers to give you only what you need, with no fluff, Flatline is a powerhouse tool: Equally at home in a project studio as it is in a high-end mastering facility.



            Viewed 4146 By Music Producers.


            • DSEQ v2.2.4 AAX VST VST3 x86 x64 WiN-R2R
              January 15th, 2021
              Categories: WiNDOWS, VST, AAX, x64, VST3, x86, x64, x86

              DSEQ v2.2.4 AAX VST VST3 x86 x64 WiN-R2R

              DSEQ v2.2.4 WiN

              Team R2R | January 15 2020 | 5.47 MB

              PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

              DSEQ is a dynamic processor working in the frequency domain.DSEQ is removing digital harshness on the fly thanks to self-adjusting frequency bands. DSEQ works fully in the frequency domain, providing very high frequency selectivity thanks to self-adjusting dynamic equalizers. DSEQ does its job with highest transparency even pushed hard. This avoids distortion, phasing and artefacts even with very critical sound material. And DSEQ offers several quality modes taming even singular frequencies. On top DSEQ provides a very easy to use interface. With just a few parameters (threshold, selectivity and attack/release) a broad range of applications can be covered. Even the initial parameter set could make your mix more transparent. Just pick the threshold parameter and lower it step by step. From there you can start focusing on specific frequency regions by using the pre-filters.



              Viewed 40837 By Music Producers.




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